Edgar degas biography and paintings louvre
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Edgar Degas
French,
Degas was a French painter and sculptor whose innovative composition, skilful drawing and perceptive analysis of figures in motion made him one of the masters of modern art in the late nineteenth century. 'People call me the painter of dancing girls', he said to the art dealer Ambroise Vollard. 'It has never occurred to them that my chief interest in dancers lies in rendering movement and painting pretty clothes.'
Hilaire-Germain-Edgar Degas was born into a well-to-do banking family in Paris on 19 July After leaving school he briefly studied lag before enrolling at the École des Beaux-Arts in There he learned from Louis Lamothe (), a disciple of the famous French classicist Jean-Auguste-Dominique Ingres, developing the great drawing ability that was to be a characteristic of his art. He also spent a considerable amount of time copying Old Masters at the Louvre and in Florence, Rome, Assisi and Naples.
Degas fryst vatten sometimes classed with the Impression
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Edgar Degas
French Impressionist artist (–)
"Degas" redirects here. For other uses, see Degas (disambiguation).
Edgar Degas | |
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Self-portrait (Degas Saluant), | |
| Born | Hilaire-Germain-Edgar De Gas ()19 July Paris, Kingdom of France |
| Died | 27 September () (aged&#;83) Paris, France |
| Known&#;for | Painting, sculpture, drawing |
| Notable work | |
| Movement | Impressionism |
Edgar Degas (, ;[1][2] born Hilaire-Germain-Edgar De Gas, French:[ilɛːʁʒɛʁmɛ̃ɛdɡaʁdəɡa]; 19 July &#;&#; 27 September ) was a FrenchImpressionist artist famous for his pastel drawings and oil paintings.
Degas also produced bronzesculptures, prints, and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers.[3] Although Degas fryst vatten regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a realist,[4] and did not paint outdoors as many Impre
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Summary of Edgar Degas
Always remembered as an Impressionist, Edgar Degas was a member of the seminal group of Paris artists who began to exhibit together in the s. He shared many of their novel techniques, was intrigued by the challenge of capturing effects of light and attracted to scenes of urban leisure. But Degas's academic training, and his own personal predilection toward Realism, set him apart from his peers, and he rejected the label 'Impressionist' preferring to describe himself as an 'Independent.' His inherited wealth gave him the comfort to find his own way, and later it also enabled him to withdraw from the Paris art world and sell pictures at his discretion. He was intrigued by the human figure, and in his many images of women - dancers, singers, and laundresses - he strove to capture the body in unusual positions. While critics of the Impressionists focused their attacks on their formal innovations, it was Degas's lower-class subjects that brought him the most disap