Devante swing biography of william
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Dalvin DeGrate
American R&B and soul musician, singer and rapper
Musical artist
Dalvin Ertimus DeGrate (born July 23, 1971), better known by his scen nameMr. Dalvin, is an American R&B and soul singer, songwriter, record producer, and rapper. He is one-quarter of the R&B group Jodeci,[1] and the younger brother of Jodeci member DeVante Swing.
Career
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The rapper for the group, DeGrate rarely sang lead on Jodeci tracks, although he has production and songwriting credits on Diary of A Mad Band and The Show, The After Party, The Hotel.[2] He occasionally played drums onstage.[citation needed]
He released his first solo album, Met.A.Mor.Phic, on April 18, 2000, with the single "Why Can't We".[3]
He moved to Def Jam Recordings, and recorded his second skiva,
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Christopher Williams, a Virginia native, surfaced during the tail-end of the ’80s, around the middle of the new jack swing era. His talents were not limited to those of a singer, but also an arranger, producer, and actor. “Talk to Myself” and “Promises, Promises,” a pair of Billboard Top Ten R&B singles made with Timmy Gatling and Alton Wokie Stewart, marked his arrival. Those hits drove parent album Adventures in Paradise (1989), Williams’ full-length debut for Geffen, to number 23 on the R&B album chart.
Williams’ acting career began with New Jack City (1991), for which he was cast as an assistant to Wesley Snipes’ lead character. Just as notably, Williams contributed “I’m Dreamin,” a number one R&B hit, to the film’s certified platinum soundtrack. The singer moved to the Uptown label for Changes (1992), an album that generated another Top Ten R&B hit in “Every Little Thing U Do,” al
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Hosted by Transcript:
Jeff Mao
Ladies and gentlemen, won’t you please join me in welcoming the auteur, Mr. Hype Williams.
[applause]
Welcome, sir.
Hype Williams
Welcome, everybody. Thank you very much for coming today. I appreciate it.
Jeff Mao
We’re here in 42nd Street, Times Square, a place where back in the day, lot of people came to watch films on the weekends and whatnot. I don’t know if that was a part of your experience being a native New Yorker. But I’m curious to know when and where did you fall in love with the moving image?
Hype Williams
That’s a tough one. It’s probably at a very young age, younger than most. Stuck in front of the television, just kind of five or six years old, like plugged in. That’s pretty much what happened. Films at that time were mostly on television. You know what I mean? It wasn’t like it is now inom guess is what I’m really struggling to think about. It was like literally stuff that would get broadcast on network television. Old movies.