Henryk tomaszewski biography of mahatma
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This past February, the designer Pawel Pokutycki and I were in touch after a long hiatus. He was preparing to visit New York in March—a visit that, like thousands of others, was canceled by the pandemic.
Despite the disappointment, something very valuable was salvaged from our conversations. We had been sharing our enthusiasm for the writers Jerzy Pilch and Olga Tokarczuk when Pawel introduced me to the work of Marcin Wicha. Wicha is as sardonic as Pilch and Tokarczuk, and like them, he writes about politics. He’s not concerned with the Gomulka era as Pilch is, or in nature, like Tokarczuk. Instead Wicha takes on the politics of objects.
Though Poland is his context, Wicha has tapped into the foibles of celebrity design politics worldwide, where only those with distinctive brands survive. Viewed from a consumer perspective that equates good design with the likes of Mad Men-era interiors, the everyday essentials like the tax forms, postal receipts, and voting ballo • Milton Glaser Design Study Center and ArchivesMilton Glaser CollectionSeries 1. Sketches and Original Art (MG.04.S01) Milton Glaser Design Study Center and ArchivesMilton Glaser CollectionSeries 1. Sketches and Original Art (MG.04.S01)Subseries A. Posters (MG.04.S01.S01) Milton Glaser Design Study Center and ArchivesMilton Glaser CollectionSubseries A. Posters (MG.04.S01.S01)Sub-subseries 1. Poster Sketches and Art - 1960s (MG.04.S01.S01.S01) B11 F2 Art Directors Club. Art Love Time & Money sketch #1 (sofa) 1968 B11 F2 Art Directors Club. Art Love Time & Money sketch #2 (sofa) 1968 B11 F2 Art Directors Club. Art Love Time & Money sketch #3 (sofa) 1968 B11 F2 Art Directors Club. Art Love Time & Money sketch #6 1968 B11 F2 Art Directors Club. Art Love Time & Money sketch #4 (sofa) 1968 B11 F2 Art Directors Club. Art Love Time & Money sketch #5 1968 B2 F4 Gary Keys and Del Shields / Lincoln Cen • Political Design in Asia and Europe Milton Glaser Collection
RE-DESIGNING THE EAST
Exhibition's Sections
POLAND
The Solidarnosc Logotype
Curator: Maks Bochenek
Designers and Artists: Jerzy Janiszewski, Grzegorz Klaman, Gerard Lewandowski, Andrzej Pagowski, Monika Rak, Tomasz Sarnecki, Marek Sobczyk, Michał Szlaga, Henryk Tomaszewski, Ania Witkowska, Ewa Bałuk-Zaborowska
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The section conceived by the Wyspa Institute of Art makes reference to the Solidarnosc (Solidarity) logotype designed by Jerzy Janiszewski. Created as a result of the artist’s spontaneous reaction to the conditions of Polish workers and their struggle against the communist system, the sign was to become a gift to the whole Polish society, which was uniting in the spirit of solidarity. Since the time of its initial distribution in Polish towns, thirty years have passed. The aim of this section is to show how dynamic developments in politics, economics, and law have influenced the use and reception of the Solidarnosc s