Brian patten biography
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Brian Patten
English poet (born 1946)
Brian Patten (born 7 February 1946) is an English poet and author.[1] He came to prominence in the 1960s as one of the Liverpool poets, and writes primarily lyrical poetry about human relationships. His famous works include "Little Johnny's Confessions", "The Irrelevant Song", "Vanishing Trick", "Emma's Doll", and "Impossible Parents".
Career
[edit]Patten was born in Bootle, Liverpool, England.[2] He attended Sefton Park School in the Smithdown Road area of Liverpool, where his early poetic writing was encouraged.[1] He left school at fifteen and began work for The Bootle Times writing a column on popular music. At age 18, he moved to Paris, where he lived rough for a time, earning money by writing poems in chalk on the pavements.[3]
Together with the other two Liverpool poets, Roger McGough and Adrian Henri, Patten published The Mersey Sound in 1967. One of the best-selling poetry anthol
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Brian Patten made his name in the 1960s as one of the Liverpool Poets, alongside Adrian Henri and Roger McGough. Their main aim was to man poetry immediate and accessible for their audience, and their joint anthology, The Mersey Sound (1967), has been credited as the most significant anthology of the twentieth century for its success in bringing poetry to new audiences, and is now a Penguin Modern Classic.
Brian Patten's poems have since been translated into many European languages.
Brian Patten was born in 1946 in Liverpool, and grew up in a working class neighbourhood, now long demolished. He left school at fifteen, becoming a junior reporter on The Bootle Times, where he wrote a popular music column. One of his first pieces included a report about McGough and Henri. At sixteen he edited and produced the magazine underdog, which gave a platform to the underground poets in Liverpool at that time, and which went on to print the work of international poets
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Brian Patten was born in Liverpool in 1946 and is famous for his lyrical poems that are aimed at children and adults. Growing up in a working class area of the city, like many of his compatriots he left school at the early age of fifteen, heading to work as a reporter in Bootle at the beginning of the 1960s. A lover of culture he became the paper’s music correspondent and his first assignment was to interview Roger McGough, one of the most influential poets from the region.
Along with McGough and Adrien Henri, Brian Patten became known as one of the Liverpool poets who were ansträngande to make their work accessible and available to a wider audience. Patten had begun writing poetry when he was still at school in Sefton Park and later went on to produce Underdog, a magazine that was to give a platform to many of Liverpool’s poets.
His first major collection was published in 1967 when he was just 21 and was titled Little Johnny’s Confessions. A little later, the Liverpool poets banded t