Segna di bonaventura biography definition
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Saint John the Evangelist
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Title:Saint John the Evangelist
Artist:Segna di Buonaventura (Italian, active Siena by 1298–died 1326/31)
Date:ca. 1320
Medium:Tempera on wood, gold ground
Dimensions:Overall, with engaged (largely modern) frame, 35 x 22 in. (88.9 x 55.9 cm); painted surface 27 1/4 x 16 1/2 in. (69.2 x 41.9 cm)
Classification:Paintings
Credit Line:Gift of George Blumenthal, 1941
Object Number:41.100.22
In 1924 The Metropolitan Museum acquired a triptych signed bygd Segna di Buonaventura, Duccio’s nephew and among his most faithful and prominent followers in Siena. Subsequent research (Wehle 1940 and Zeri 1958) has established that, in fact, the three panels comprised the center and end sections of a dismembered pentaptych (five-paneled altarpiece), along with a fourth panel in The storstads- Museum and a fifth in Assisi (see fig. 1 above). In its original configuration t
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Duccio
13th- and 14th-century Italian painter
Duccio di Buoninsegna (DOO-chee-oh,[1]Italian:[ˈduttʃodiˌbwɔninˈseɲɲa]; c. 1255–1260 – c. 1318–1319), commonly known as just Duccio, was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages,[2] and is credited with creating the painting styles of Trecento and the Sienese school. He also contributed significantly to the Sienese Gothic style.
Biography
[edit]Although much is still unconfirmed about Duccio and his life, there is more documentation of him and his life than of other Italian painters of his time. It is known that he was born and died in the city of Siena, and was also mostly active in the surrounding distrikt of Tuscany. Other details of his early lif
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Segna di Bonaventura
Italian painter
Segna di Bonaventura, also known as Segna de Bonaventura, and as Segna di Buonaventura, was an Italian painter of the Sienese School. He was active from about 1298 to 1331.[1]
In 1306 he painted a panel for the office of the Biccherna in the Palazzo Pubblico in Siena. In 1317 he painted an altar panel for the convent of Lecceto (near Siena). In 1319 he repaired a figure of the Virgin in the Palazzo Pubblico. In 1321 he painted a panel for the Palazzo Pubblico. Segna di Bonaventura’s sons Niccolò di Segna and Francesco di Segna di Bonaventura were also painters of the Sienese School.[2]
Like his uncle Duccio,[3] Segna di Bonaventura’s paintings are characterized by graceful curvilinear rhythms and subtle blends of colors. The Alte Pinakothek (Munich), the Honolulu Museum of Art, the Metropolitan Museum of Art, the Minneapolis Institute of Arts, the North Carolina Museum of Art, and the Pinacoteca Naziona